We’ll control, the oceans wide From down, down, underneath the sea. John Lennon performed this song once at a concert of his good friend Elton John at Madison Square Garden on the 28th of November 1974. [165] The 2015 edition of 1 and the expanded 1+ box set includes a video clip for the song, compiled from footage from the 1968 animated film. [26], In the final verse, Lennon echoes Starr's lead vocal,[46] delivering the lines in a manner that musicologist Walter Everett terms "manic". [38][nb 3] The recording was given another reduction mix, reducing the four tracks to two,[31] to allow for the inclusion of nautical and party-like sound effects. The illustration depicted the submarine as a large boot with the captain peering out from the top. Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. In author George Case's view, the track "encapsulated the childlike, communal surrealism of an LSD trip" on an album full of drug-inspired music and lyrics. [6], McCartney called "And I Love Her" "the first ballad I impressed myself with". [27] The project was characterised by the group's increased experimentation in the studio,[28] reflecting the division between their recording output and the music they made as live performers. [54] Music critic Tim Riley characterises "Yellow Submarine" as "one big Spike Jones charade". [40] Keen to sound as if he were singing underwater, Lennon tried recording the part with a microphone encased in a condom and, at Emerick's suggestion, submerged inside a bottle filled with water. [164], The Beatles' recording was included on compilation albums such as 1962–1966 and 1. [128][nb 16] Writing for Esquire in December 1967, Robert Christgau felt that the Beatles "want their meanings to be absorbed on an instinctual level" and dismissed such interpretations, saying: "I can't believe that the Beatles indulge in the simplistic kind of symbolism that turns a yellow submarine into a Nembutal or a banana – it is just a yellow submarine, damn it, an obvious elaboration of John [Lennon]'s submarine fixation, first revealed in A Hard Day's Night. Two takes were recorded. The first of several live versions appears on the 1992 album Ringo Starr and His All Starr Band Volume 2: Live from Montreux. Words to "Take Her Down" Take her down, and softly glide Through the deep blue underneath the ocean. Martin and Smith were again producer and engineer. [111], Tim Riley describes "Yellow Submarine" as the first original Beatles composition on which Starr was able to project his personality, and he admires Lennon's vocal contribution for its abundance of "Goon humor" and for transforming the track into a "sailor's drinking song". [157][158] "Yellow Submarine" has continued to be one of his signature songs during his post-Beatles solo career. McCartney has played the song live on various tours. [101], In their joint review for Record Mirror, Peter Jones said he was not especially impressed by the track but that it demonstrated the band's versatility, while Richard Green wrote: "Sort of Beatle 'Puff the Magic Dragon' ... Will be very big at about 9.30 on a Saturday morning on the Light Programme. "[10], Author Steve Turner writes that in its focus on childhood themes, "Yellow Submarine" fitted with the contemporaneous psychedelic aesthetic, and that this outlook was reflected in George Harrison's comments to Maureen Cleave in his "How a Beatle Lives" interview, when he spoke of an individual's purity at birth and gradual corruption by society. In 2015, a solo version by Nirvana frontman Kurt Cobain was discovered, and subsequently used in his biopic, Kurt Cobain: Montage of Heck. Alf Bicknell – sound effects (rattling chains), John Skinner, Terry Condon – sound effects (chains in bathtub), This page was last edited on 22 February 2021, at 01:27. Most of you have heard of shipmate Tommy Cox's music CD "Take Her Deep" by now. [45] Martin later told Alan Smith of the NME that the band "loved every minute" of the session and that it was "more like the things I've done with the Goons and Peter Sellers" than a typical Beatles recording. However, this Malaysian student, Irdina (@irdinajaswan), took to her Twitter account to share her experience after her car had broken down by the roadside while she was on the way to the airport.Pengalaman paling gila setakat ni. [49] When the overdubs were finished, Evans led everybody in a line around the studio doing the conga dance while banging on the drum strapped to his chest. It was also included on the American A Hard Day's Night soundtrack album. Torpedoes crash and missiles roar. "[97] Derek Johnson echoed this in his review of the single for the same publication, and described the song as "so different from the usual Beatles, and a compulsive sing-along". An instrumental cover by Santo & Johnny topped the Mexican charts in 1965. [46][nb 7] According to Echard, the effects are "an especially rich example of how sound effects can function topically" in psychedelia, since they serve a storytelling role and further the song's "naval and oceanic" narrative and its nostalgic qualities. [70] When Harrison was asked for the reason, he replied that the group had decided to "put it out" rather than watch as "dozens" of other artists scored hits with the songs. [8] The vocal parts were again treated with varispeed;[36] in this instance, they were recorded a semitone lower. This spoken prologue referenced British engineer, "Yellow Submarine" was remixed with the introduction restored for the song's inclusion on the ". [53] This proved ineffective,[53] and Lennon instead sang with the microphone plugged into a Vox guitar amplifier. The song features one of the few drum solos recorded by … [135][nb 18] Doggett writes that the song thereby became the most important track on Revolver "in business terms", since it staved off pressure from United Artists for the Beatles to fulfil their contractual obligations for a third feature film. As a novelty song coupled with "Eleanor Rigby", a track devoid of any rock instrumentation, the single marked a radical departure for the group. The Beatles performed "And I Love Her" just once outside EMI Studios; on 14 July 1964 they played it for an edition of the BBC's Top Gear radio show, which was broadcast two days later. [119] In November 1966, artist Alan Aldridge created a cartoon illustration of "Yellow Submarine" and three other Revolver tracks to accompany a feature article on the Beatles in Woman's Mirror magazine. [128] Some listeners interpreted the title as a reference to a marijuana joint stained by resin,[87][129] while the lyrics' description of a voyage of discovery resonated with the idea of a psychedelic trip. An outtake from the original studio sessions, Take 2 recorded Feb. 25, 1964, was released on the 1995 issue of Anthology 1. Ideas for songs sprang into my head as fast as I could write them down. [57] Everett comments that the recording of "Yellow Submarine" took twice as much studio time as the band's debut album, Please Please Me. The German version of Something New contained an edited version of the 22 June stereo mix, repeating the closing guitar riff six times instead of three. [40] Evans also played a marching bass drum over this section. Reising and LeBlanc view the song's lyrics as a celebration of "the simple pleasures of brotherhood, exotic adventure, and an appreciation of nature". For the visitors with no military background some additional information is necessary. It also changes keys altogether just before the solo, to F. The final chord is a D major. At that time, the Ivor Novellos focused only on contributions to the British music industry. "[102] Reporting from London for The Village Voice, Richard Goldstein stated that Revolver was ubiquitous around the city, as if Londoners were uniting behind the Beatles in response to the antagonism shown towards the band in the US. Release year: 2008 As war against the demons draws near, brothers Sam and Dean investigate paranormal events as they confront their roles as saviors of mankind. Words to "Take Her Down" Take her down, and softly glide Through the deep blue underneath the ocean. [67][68] Unusually for their post-1965 singles also, there were no promotional films made for either of the A-sides.[69]. In the solipsistic pink and white nightmare of 'the special life' ..."[114], Donovan later said that "Yellow Submarine" represented the Beatles' predicament as prisoners of their international fame, to which they reacted by singing an uplifting, communal song. The wreckage of German submarine UC-61 has reappeared off Wissant, near Calais. [146] In 1986, "Yellow Submarine" / "Eleanor Rigby" was reissued in the UK as part of EMI's twentieth anniversary of each of the Beatles' singles and peaked at number 63 on the UK Singles Chart. [159] He has regularly included it in his concert set lists when touring with the All Starr Band. [46][87] The song peaked at number 2 on the Billboard Hot 100 (behind "You Can't Hurry Love" by the Supremes)[88] and number 1 on the charts compiled by Cash Box[89] and Record World. [21] In author Jonathan Gould's opinion, Starr's "guileless" persona ensured the song was presented with the same "deadpan quality" that he gave to the Beatles' feature films. [4][33], The band spent much of the afternoon and evening rehearsing the song. Don't you know it's gonna last? He is the founder, CEO, CTO, and chief designer of SpaceX; early investor, CEO, and product architect of Tesla, Inc.; founder of The Boring Company; co-founder of Neuralink; and co-founder and initial co-chairman of OpenAI.A centibillionaire, Musk is one of … The structure comprises two verses and a chorus; a third verse, followed by a chorus; two further verses, the first of which is an instrumental passage; and repeated choruses. [20] Starr later said he found "Yellow Submarine" a "really interesting" choice for his vocal spot, since his own songwriting at that point amounted to "rewriting Jerry Lee Lewis's songs". [40], All the participants and available studio staff sang the closing choruses, augmenting the vocals recorded by the Beatles on 26 May. It was also issued on a double A-side single, paired with "Eleanor Rigby".Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. According to EMI employee John Skinner, he and his colleague Terry Condon swirled chains inside the metal bathtub during the session. Recorded by the Beatles over three days, in Abbey Road Studio Two, the sessions were produced by George Martin and engineered by Norman Smith. [91] During the US tour, Beatles press officer Tony Barrow asked Leroy Aarons of The Washington Post to remove mention of the band's "latest" single slipping on the charts when Aarons presented his article for their approval. [73] On Melody Maker's singles chart, it was number 1 for three weeks and then spent two weeks at number 2. "[50] From a hallway just outside the studio, Starr yelled: "Cut the cable! This mix was released on the UK stereo version of A Hard Day's Night on Friday 10 July 1964. [148] Writing in the late 1970s, Nicholas Schaffner recognised the track as an exception within the music-industry phenomenon of novelty songs, which were traditionally gimmicky recordings by one-hit wonders, since the Beatles were the most popular stars of the era and achieved one of the most commercially successful novelty hits of all time. I felt the urge to do something similar, although for different reasons and from a very different perspective. Original song written and composed by Lennon-McCartney. Words to "Take Her Down" (The Submarine Service Song) Take her down, and softly glide Through the deep blue underneath the ocean. [39], The song originally opened with a 30-second section containing narration by Starr and dialogue by Harrison, McCartney and Lennon, supported by the sound of marching feet (created by blocks of coal being shaken inside a box). He saw the band perform at the Cavern Club and he suggested, "Let's record every song you've got, come down to the studios and we'll just whistle through them in a day." [31] Author Ian MacDonald views Bob Dylan's contemporaneous hit single, "Rainy Day Women ♯12 & 35", as a possible inspiration on the Beatles. That was the basic idea. [94] The single sold 1,200,000 copies in four weeks[94] and, on 12 September, earned the Beatles their twenty-first US Gold Record award, a total they had achieved in just over two-and-a-half years. ", Ringo Starr and His All Starr Band Volume 2: Live from Montreux, "Lennon & McCartney Interview: Ivor Novello Awards, 3/20/1967", "100 Greatest Beatles Songs: 74. This mix was also used on the mono version of the Capitol album Something New, released on Monday 20 July 1964.[13]. Is the music underneath the ocean From down below we’ll up the score Of the ships on the bottom of the sea. "[118] At a Mobe protest, also in San Francisco, a yellow papier-mâché submarine made its way through the crowd, which Time magazine interpreted as a "symbol of the psychedelic set's desire for escape". Donovan helped with the lyrics. [145] In 2005, it was placed outside Liverpool's John Lennon Airport,[146] in preparation for the city's year as the European Capital of Culture in 2008. [74] It was the band's twelfth consecutive chart-topping single in the UK. The vessel was scuttled by its crew in July 1917 and all … [107][nb 12], In his review of the Beatles' final concert, held at Candlestick Park near San Francisco on 29 August,[109] Phil Elwood of the San Francisco Examiner rued that the band had failed to play anything from their "new, delightful album" in concert, particularly "Yellow Submarine". [8] This version was missing the middle-eight. [54], The single topped sales charts around the world. "Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was adopted in this way by protesters in New York City during George Bush's inauguration as US president in January 2005;[152] by anti-G8 protesters in Scotland in July the same year;[153] by anti-monarchist demonstrators in London on the day of Prince William and Kate Middleton's wedding in April 2011,[154] and by Londoners protesting the result of the UK general election in May 2015. It was adopted as an anti-authority statement by the counterculture during Vietnam War demonstrations and was also appropriated in strike action and other forms of protest. Jazz pianist Brad Mehldau included an extended instrumental trio version on his 2016 album Blues and Ballads, which an AllMusic review describes as "transfiguring the minor/major-key centers into something sweeping and operatic."[17]. In the US, "Yellow Submarine"'s release coincided with the controversies surrounding Lennon's "More popular than Jesus" remarks, and the band's public opposition to the Vietnam War, which led some radio stations to impose a ban on the Beatles' music. [49][nb 6] Lennon used the studio's echo chamber to shout out commands and responses[42] such as "Full speed ahead, Mr Boatswain. Harrison later cited the "comic aspect" of this portion of the song as an example of the Beatles' instinctively drawing from their earliest memories of listening to music, even if it was "schmaltz" and other records they disliked. [6], McCartney commented in 1966: "It's a happy place, that's all ... We were trying to write a children's song. [21][22], sfn error: no target: CITEREFBabuik2002 (, "Alan W. Pollack's Notes on "And I Love Her, Ultratop.be – The Beatles – And I Love Her", Kurt Cobain’s lost cover of The Beatles’ "And I Love Her" to be released, Kurt Cobain Seven-Inch Featuring Beatles Cover Will Come Out This November, Official Physical Singles Chart Top 100 - 11 December 2015 – 17 December 2015, Official Vinyl Singles Chart Top 40 - 11 December 2015 – 17 December 2015, The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962–1970, Komm, Gib Mir Deine Hand / Sie Liebt Dich, Extracts from the Album A Hard Day's Night, Extracts from the Film A Hard Day's Night, Komm, gib mir deine Hand / Sie liebt dich, https://en.wikipedia.org/w/index.php?title=And_I_Love_Her&oldid=1008267705, Song recordings produced by George Martin, Singlechart usages for Belgium (Flanders), Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, Paul McCartney – lead vocal, 1963 Höfner 500/1 bass guitar through Vox AC-100 bass amp, Ringo Starr – Ludwig drum kit, switching to bongos and claves, This page was last edited on 22 February 2021, at 12:48. Take 1 was incomplete, but Take 2 was complete. [40] Other sounds imitate the whirring of machinery,[23] a ship's bell, hatches being slammed,[46] chains hitting metal,[40] and finally the submarine submerging. The second engineer was A.B. "[4] In a joint interview taped for use at the Ivor Novello Awards night in March 1967, McCartney and Lennon said that the song's melody was created by combining two different songs they had been working on separately. ", entitling it "And I'm Evil?". [149] By the early 2000s, according to music journalist Charles Shaar Murray, "Yellow Submarine" was a "perennial children's favourite". Directed by George Dunning. [104] He dismissed it as "a load of rubbish"[105] and a bad choice for a single, adding that "I take the mickey out of myself on the piano and play stuff like this. An instrumental version of "And I Love Her", orchestrated by George Martin, was released as a single with "Ringo's Theme (This Boy)" as the B-side on 18 July 1964. Torpedoes crash and missiles roar. 'Yellow Submarine, "The Biggest Song of Every Year Revealed" > "Slide 51/65", "Three Irish Mammies in Vanguard of Demonstration", "Royal Wedding: Police Criticised for Pre-emptive Strikes Against Protesters", "No One Would Riot for Less: The UK General Election, "Shy Tories" and the Eating of Lord Ashdown's Hat", "The Beatles 1 to Be Reissued with New Audio Remixes ... and Videos", "Yellow Submarine Anniversary 7" Picture Disc", "Go-Set Australian Charts – 5 October 1966", Austriancharts.at – The Beatles – Yellow Submarine", Ultratop.be – The Beatles – Yellow Submarine", "Yellow submarine in Canadian Top Singles Chart", Dutchcharts.nl – The Beatles – Yellow Submarine / Eleanor Rigby", "flavour of new zealand - Home (23 September 1966)", Norwegiancharts.com – The Beatles – Yellow Submarine", "Swedish Charts 1966–1969/Kvällstoppen – Listresultaten vecka för vecka > Augusti 1966", "50 Back Catalogue Singles – 27 November 2010", "British single certifications – Beatles – Yellow Submarine", "American single certifications – The Beatles – Yellow Submarine", Recording Industry Association of America, Full lyrics for the song at the Beatles' official website, Komm, gib mir deine Hand / Sie liebt dich, 1966 tour of Germany, Japan and the Philippines, https://en.wikipedia.org/w/index.php?title=Yellow_Submarine_(song)&oldid=1008193314, Song recordings produced by George Martin, Short description is different from Wikidata, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with streaming figures, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Pages using certification Table Entry with streaming footnote, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License. In an attempt to placate the Navy, Cher later filmed parts of the song in a less-revealing outfit and without the crew present, but the new video was too little, too late. [40] On the third verse, a party atmosphere was evoked through a combination of Jones clinking glasses together and blowing an ocarina,[40] snatches of excited chatter,[46] Boyd's high-pitched shrieks, Bicknell rattling chains,[42] and tumbling coins. Your Amazon Music account is currently associated with a different marketplace. While commenting on the effect LSD soon had on the band's music, author and musician, In this way, according to the authors, "Yellow Submarine" anticipated similar themes in other artists' work and in Beatles songs such as ". [26], The Beatles began recording "Yellow Submarine" during the eighth week of the sessions for Revolver. "And I Love Her" is a song recorded by English rock band the Beatles, written primarily by Paul McCartney and credited to the Lennon–McCartney partnership. It is the fifth track of their third UK album A Hard Day's Night and was released 20 July 1964, along with "If I Fell", as a single release by Capitol Records in the United States, reaching No. Although Starr swapped his drums for bongos and claves halfway through the session, they were still not happy. [166] In July 2018, the two songs were released on a 7-inch vinyl picture disc to mark the 50th anniversary of the Yellow Submarine film's release.[167]. [117], A writer for the P.O. See me. Work began at 2:30pm on Tuesday 25 February 1964 for the first day of the sessions for the Hard Day's Night soundtrack and the accompanying album. Is the music underneath the ocean From down below we will up the score Of the ships on the bottom of the sea. [23] Harrison created this effect by swirling water around a bathtub. Among other examples of the song's adoption by radical groups, students at the, An initiative of the Workshop in Non-Violence, the 6-foot-long craft was launched into the. It was her second consecutive number one hit on the Billboard charts and was a certified gold record. The song received several social and political interpretations. Take her fast, > Take her deep, > Take her where the fishes sleep.. Sales+streaming figures based on certification alone. This mix was sent to Capitol and United Artists on Tuesday 9 June,[12] and released on the US mono version of the Hard Day's Night soundtrack album on Friday 26 June 1964. This version also appeared on the American Rarities album in 1980. This mix was also used on the film print of A Hard Day's Night except the speed was slower in a low pitch. Some listeners viewed the song as a code for drugs, particularly the barbiturate Nembutal, or as a symbol for escapism. Turner comments that Aarons could have been referring to "Paperback Writer", whose chart descent was unsurprising by mid August, or to "Yellow Submarine", which "wasn't slipping down, but neither was it racing up". [41][nb 8] Despite the time taken in developing and recording this intro, the band chose to discard the idea, and the section was cut from the track on 3 June. [100] Cash Box found the single's pairing "unique" and described "Yellow Submarine" as "a thumping, happy go lucky, special effects filled, highly improbable tale of joyous going on beneath the sea". Elon Reeve Musk FRS (/ ˈ iː l ɒ n / EE-lon; born June 28, 1971) is a business magnate, industrial designer, and engineer. The single went to number one on charts in the United Kingdom and several other … [5][nb 10], In the US, the single's release coincided with the Beatles' final tour and, further to the controversy over the "butcher cover" originally used for the Capitol Records LP Yesterday and Today,[78][79] public furore over Lennon's "More popular than Jesus" remarks, originally published in the UK in his "How a Beatle Lives" interview with Cleave. [43][nb 20], The tune of the song has been used in protests and demonstrations in Britain and America, with the lyrics changed to "We all live in a fascist regime". Paul's title ... written for Ringo. in 1965. Torpedoes crash and missiles roar. [41][42] For this, Martin drew on his experience as a producer of comedy records for Beyond the Fringe and members of the Goons. [23] Lennon blew through a straw into a pan of water to create a bubbling effect. [9], In 1980, Lennon talked further about the song: "'Yellow Submarine' is Paul's baby. [137] The band's 1966 recording was the opening track on the accompanying soundtrack album, which closed with an orchestral reprise[138] arranged by Martin, titled "Yellow Submarine in Pepperland". [61][62] The "Yellow Submarine" single was the Beatles' thirteenth single release in the United Kingdom and the first to feature Starr as lead vocalist. [75] Despite the double A-side status there, "Yellow Submarine" was the song recognised with the Ivor Novello Award for highest certified sales of any A-side in 1966. Adding to the band's failing image in the US media, a Pittsburgh disc jockey broadcast an interview in May 1966 in which the Beatles ridiculed Sadler's song and his support of the Vietnam War. [122] Derek Taylor, the Beatles' former press officer who worked as a music publicist in Los Angeles in the mid 1960s, recalled it as "a kind of ark ... a Yellow Submarine is a symbol for some kind of vessel which would take us all to safety ... the message in that thing is that good can prevail over evil.
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